I was so delighted with this bowl. The image here doesn't do it justice. And it was a bowl that was just how I had planned it. . .steeply sloping sides, a mess of combining and re-combining color in the glazing.
I had planned to put it into the sale at Waterville Creates. The bowl. . .and the kiln. . .had other plans.
So now, this is part of what an enameling friend referred to as her "permanent collection". Not perfect enough to sell, but way too precious to toss. Oy.
Here's the problem. I re-fired the piece to get rid of a couple of pin holes in the blue glaze. . .a recurring issue with the blue glaze. But upon re-firing, the glaze ran down to the kiln shelf, stuck, and resulted in tearing away the glaze. . .and the ceramic itself. The image to the right is after I did considerable grinding. . .first the grinding wheel with a coarse grit, then a hand held diamond grinder, and finally a diamond lap grinding disk on my potter's wheel. It. Will. Never. Be. Perfect. It will also never be good enough technically to sell. But I just couldn't let it go. So now it sits in my collection of rice bowls. It is a reminder that if my skill level ever gets to be good enough to feel sophomoric, I will be reminded of how much the Gods of The Kiln rule my life. It is unclear to me why I continue to make pots. I have done a lot. I have a lifetime of pots to hold in my hands and use in every day life. Still. I can't stop thinking of the next project. I am oddly grateful for that, in spite of the hope/despair cycle that making pots and my health continue to fuel.My forte is making one-offs that are for a certain purpose. I realized that I had no way to display my new business cards at the sale. So I put this little holder together on the fly. Measure, cut, embellish. A small open box for my cards. It really is rather perfect, in spite of my otherwise not-so-perfect offerings.
And here they are. Louise's Leap Studios rides again, however pedestrian the show. It's a start. Or a finish.


















