I was lucky enough to take 3 years of woodworking in high school. Charles W. Woodward High School no longer exists due to a decreasing high-school aged population in the northern Washington D.C. suburbs, but I was one of the first classes to graduate from that school in 1972. Our wood shop was state of the art, but when I entered 10th grade it was inconceivable that a girl would want to take a class in it. After some humiliation, and my Dad's intervention, I was allowed in.
At my tenth high school reunion, the teachers of that class told me how they had dreaded my taking the class. They also told me how wrong they had been. I, of course, was completely unaware of all of that. I just wanted to Make Things, and up until that point, I had been limited to things that were acceptable for girls to do. Paint. Draw, Sew, Knit. My father had always included me in his projects, appreciating that I had hands small enough to help him extract the spark plugs of his Karmann Ghia. But these interests were not common for girls. They were unbecoming.
That experience of wood shop. . .being instructed on the safe use of tools, including the table saw, band saw, radial arm saw, router, joiner, planer, and of course, the lathe. . .was pivotal for me. I loved the tools. Loved them. I loved what they enabled me to do, to build, to make. They also enabled me to dream of what I could make in a completely new way.
It's been over 50 years since I saw a functional wood shop. So when Mark Wheeler, (see 10/29 post,) suggested that I turn a bowl in his shop, how could I refuse? The fear of failure, or worse, embarrassment, always lurks, but still. How could I not try? Mark is a competent and patient guide. I originally was going to call this post "The Power of Yes", but I'm pretty sure I'd be stealing that phrase from my youngest daughter. It remains true, though. While my current sensible self certainly questioned this particular "yes", I am so glad I risked this particular failure, to take this small path out of my comfort zone and the opportunity to work with another artisan who has the ability to understand a life that compels Making.






































